Showing posts with label Chapter Thirteen. Show all posts
Showing posts with label Chapter Thirteen. Show all posts

Sunday, 6 April 2014

Box Set - Chapter Thirteen

                It’s the deepest part of the night when we finally have our plan formulated. The river Thames glistens below us, reflecting the man-made stars: the sprawling city that lines its banks.
                Elle crouches beside me tapping a beat on her knee. I spend a good long while trying to work out what it is.
                ‘Thank you for understanding him,’ I say. ‘So many people wouldn’t.’
                Elle shrugs. ‘Sometimes people say things without meaning to, I know he just wants to share his life with someone, that’s what we all want on some level. God knows I saw enough people with depression in cancer wards and therapists. So many of them just get the way they are because they’re ignored by the people who matter: friends, family, boyfriends, girlfriends, the works. You know there was one woman who’d been with her husband for fifty years. She gets cancer and her husband leaves her. How sucky’s that? I went to see her every day after college after I found out, just to sit with her. She used to love backgammon. She went before I did though.’
                She looks at her shoes. I haven’t seen Elle cry yet. Funny Elle, chirpy Elle, sarky Elle. It didn’t occur to me that this was part of her make up. Everyone cries.
                ‘I’ve tried to find her so many times,’ she says. ‘Same as you and Penny. How do you track someone down when you have infinity to search in? Knowing them doesn’t matter anymore. You just have to leave it to chance.’
                ‘What was her name?’ I ask. ‘Your friend.’
                ‘Persephone,’ she says, smiling. ‘I know, a name from another age isn’t it. I think it sounds romantic. I used to think that if I ever had a daughter, I’d name her Persephone. Don’t suppose there’s much chance of that now though.’
                ‘You never know,’ I say. ‘I wouldn’t put it past the universe to throw ghost-babies at us.’
                ‘Are you propositioning me, you cheeky devil?’ She looks sideways at me, her eyebrows bobbing. This time it only takes me a second to realise she’s joking.
                ‘Finally,’ she says. ‘I knew you could be moulded. You have no idea how many guys read into harmless flirting. Flirting’s fun. When you have a tumour creeping its way through your chest you have to take all the fun you can get. Course, now it’s just habit.’ She laughs. ‘You know there was this one guy in Rio last month…’
                ‘Wait,’ I say, holding up my hand. ‘There’s Graham’s signal.’
The light flashes from across the river and I know Graham’s ready. We had to take another trip back to his basement, cleaning up first so that his parents would be none the wiser. A large rug now sits over Teague’s ominous scorch mark.

                Soundless, as though he’s been next to us all along, Yates appears. He walks without a hunch for the first time since I’ve known him.

                ‘How are you feeling?’ I ask.

                ‘Alive for once,’ he replies, rubbing his hands together. ‘He’s home. He has a new girlfriend, she’s asking him for money right now.’

                ‘Well, Mr Yates just keeps getting better,’ Elle says. ‘You ready?’

                Yates nods. ‘Take my hands,’ he says.

                We do so. I was never one for pranks. At school I hated them, as I was the butt of jokes so often I had no option but to develop a hatred for practical jokery. This is somehow above practical jokes. A practical joke at school includes selecting an easy target and embarrassing them in front of all their peers. This is a gift that only death allows. This is ghostly retribution so deserved it feels divine.

                We disappear in an instant. And for a second I see inside Yates’s Edge. A world built of paper. The very air, if you can call it that, feels rough like the page of a book, and his memories are quotes flying past us as we make our short trip up the building.

                We step back into the world and my stomach turns. Never, in all my seventeen years of living, have I wanted to see a seventy year old man receiving a lap dance.

                ‘Holy Mary, Buddha and the many arms of Vishnu,’ exclaims Elle. ‘That’s my life ruined.’

                ‘I think you’ll find it’s his life that’ll be ruined,’ says Yates, with a Machiavellian glint in his eye.

                ‘We’ve created a monster,’ says Elle. ‘I told you we shouldn’t take the kids on revenge missions.’

                ‘We need to work on his one-liners,’ I whisper. ‘That one hurt.’

                ‘Shall I get started?’ Yates says.

                The woman, who I can only assume is some form of lady of the early hours begins gyrating in a very unnatural fashion.

                ‘Yes please.’ Elle gags on her words. ‘I think I’m going to be sick. Hasn’t this woman heard of bra fitting?’

                We scatter ourselves around the room. Across the river, I know that Graham is watching with binoculars, waiting for our signal for the fun to begin.
 I watch Mr Yates for a second. This man deserves everything that’s coming to him and more. Yates says he doesn’t know what happened to his mother. She might even still be with her disgusting, cheating husband. He’s bloated and red in the face, like even being turned on is an enormous effort for him. I see a sick look on the woman’s face as she turns away from him. I realise I shouldn’t judge so quickly. I don’t know what turned her to this life. She’s as much a victim in this like Yates. That’s what people like his step father do, they take the weak and use them, leaving them with scars that can never be healed. Scars that don’t show up on the skin.
                ‘Okay,’ I say, relishing the secrecy of our mission. ‘Elle, now!’
                Elle reaches to her right and flicks on the enormous TV beside her. She presses another button and the volume rockets all the way up. Then she starts flicking between channels. The result is deafening, the various presenters and actors on screen merging together like they’re telling us a new, hidden message.
                Mr Yates and the woman jump and he falls backwards off his seat. She screams, shrill with the sort of pitch that would crack a window.
                With beautiful poetic timing, that’s exactly what happens. The huge floor to ceiling windows overlooking the river crack as one. There is a squeal almost too high for the human ear to register, and the windows shatter, becoming opaque with an infinity of white spider’s web cracks and then the panes fall to the ground like a curtain dropping from a stage.
                The woman is screaming, stamping her stilettoed feet on the ground until one of them breaks and she falls over. Mr Yates has crawled into a corner, pulling books from a shelf and a chair towards him. He must think his world is ending.
                I nod to Elle and Yates, grinning from ear to ear and we seize various bits of furniture.
                Elle knocks a series of picture frames with no pictures in to the ground, moving to a shelf of first edition books that have never been read. She seizes one particularly expensive looking volume and begins tearing pages with relish.
                Mr Yates sees this and actually lets out a dramatic shout of: ‘No!’
                I grab two uncomfortable looking leather chairs and begin to shake them, dragging them across the floor towards the old man.
                Now he starts to scream. And we’re only just getting started.
When he’s getting to his highest level of freaked out, I fish Graham’s remote control from my pocket.
                I see Yates is already looking at me. I know he’s ready for this moment, I don’t need to ask. These will be words he’s said to mirrors and to the night-time when he wished he could say them to the face of his step father. He nods with his jaw set.
                The most unbelievable thing happens. Before my eyes, I see Yates change. Slowly, the lines around his eyes disappear, the wobbly bits under his chin become taut. The five o’clock shadow on his face recedes once more to a teenage fuzz. He is a teenager in middle aged clothing again.
                Without waiting a second longer, I flick the switch on the top of the remote. I know we’ll all appear in the room, but Mr Yates only has eyes for one of us.
                ‘You!’ he screams. ‘Why have you come back?’
                ‘You drove me to this!’ Yates yells.
                He takes a step forward. Mr Yates flinches.
                ‘Don’t hurt me!’ he shouts. The TV’s volume still fills the room. There’s a surprising amount of wind at this height, and it whips through the now open windows.
                ‘You hurt me,’ Yates says. ‘Every day of my life. You made me feel pathetic.’
                Mr Yates is actually crying. Snivelling in the corner.
                ‘What do you want from me?’ he asks. ‘You don’t think I feel guilt?’
                ‘And that excuses you?’
                I wonder is this a regular occurrence for Mr Yates. I see the puffed edges of his eyes. Hear a slurring in his speech. He’s drunk, dosed, or a combination of the two. Maybe he does feel guilty for what he drove his son to. Maybe it makes him see prostitutes every night and drink himself into a stupor. But he’s a villain none the less.
                ‘I’ll do anything,’ he says. ‘Anything for you to stop coming in my dreams. Just leave me alone now.’
                ‘I want you to leave here,’ Yates says. ‘Sell this place for a pittance and leave all your things behind. Get on a plane and never look back. I don’t care where you go. If you don’t do this, I’ll come back for you. I’ll chase you across the world until you listen to me. I’ll punish you like you punished me. Understand.’
                Mr Yates nod through the tears.
                ‘I’ll be watching,’ Yates says, and we disappear at the flick of my finger.
             As we reenter the spirit world, Yates expels a breath like he’s just come off stage after the biggest performance of his career.
            I notice he’s shaking and cross to him, putting my arm around his shoulders. He’s remained a teenager, but while before he’d looked greasy, hunched, folding into himself. Now he stood an inch taller. Though he was still pallid and sick looking. I have a feeling that’ll fade.
            ‘You did great, Yates,’ I say. ‘Come on, lets get out of here.’
            I take his hand and Elle’s as she reaches for mine.
            In a second we stand on the other bank, without sparing Mr Yates another glance. I wonder did his son?
            Graham stands on the bank. I flick the switch on the remote. He jumps and then starts to applaud.
            He waves the binoculars.
            ‘That, was spectacular,’ he says. He goes to clap Yates on the shoulder. His arm passes through him and he out a terrific shudder.
            He straightens up, embarrassed.
            ‘How do you feel?’ Elle asks. Touching Yates lightly on the shoulder. This time he doesn’t flinch away from her contact.
            ‘It was something I’ve needed to do,’ he says. ‘I’ve always needed to confront him.’ He smiles. ‘I’m glad I could do it with style.’
            ‘See, good one-liners, he’s learning,’ Elle says, like a proud mother.
            ‘I wish I could have seen his face. He crawled to the corner before I could get a good look.’ Graham looks genuinely disappointed.
            ‘Where to next?’ Yates asks.
            ‘Well we follow Thacker’s clues,’ I reply as if it was obvious.
            ‘But, really?’ Yates’s eyebrows raise. ‘I didn’t think…’
            ‘Why wouldn’t we? It’s important.’
            Graham’s looking at Yates in a whole new light. I noticed it as soon as we returned. Yates keeps looking at him to, stealing a glance here and there like he can feel his stare. I don’t want him to get uncomfortable.
            ‘If we make a stop back at my house, we can get started,’ Yates says. ‘I know where we can go first.’

            ‘Excellent,’ says Elle. ‘The band's all together.’

Thursday, 3 April 2014

Above the Vaulted Sky - Page 93

As we reenter the spirit world, Yates expels a breath like he’s just come off stage after the biggest performance of his career.
            I notice he’s shaking and cross to him, putting my arm around his shoulders. He’s remained a teenager, but while before he’d looked greasy, hunched, folding into himself. Now he stood an inch taller. Though he was still pallid and sick looking. I have a feeling that’ll fade.
            ‘You did great, Yates,’ I say. ‘Come on, lets get out of here.’
            I take his hand and Elle’s as she reaches for mine.
            In a second we stand on the other bank, without sparing Mr Yates another glance. I wonder did his son?
            Graham stands on the bank. I flick the switch on the remote. He jumps and then starts to applaud.
            He waves the binoculars.
            ‘That, was spectacular,’ he says. He goes to clap Yates on the shoulder. His arm passes through him and he out a terrific shudder.
            He straightens up, embarrassed.
            ‘How do you feel?’ Elle asks. Touching Yates lightly on the shoulder. This time he doesn’t flinch away from her contact.
            ‘It was something I’ve needed to do,’ he says. ‘I’ve always needed to confront him.’ He smiles. ‘I’m glad I could do it with style.’
            ‘See, good one-liners, he’s learning,’ Elle says, like a proud mother.
            ‘I wish I could have seen his face. He crawled to the corner before I could get a good look.’ Graham looks genuinely disappointed.
            ‘Where to next?’ Yates asks.
            ‘Well we follow Thacker’s clues,’ I reply as if it was obvious.
            ‘But, really?’ Yates’s eyebrows raise. ‘I didn’t think…’
            ‘Why wouldn’t we? It’s important.’
            Graham’s looking at Yates in a whole new light. I noticed it as soon as we returned. Yates keeps looking at him to, stealing a glance here and there like he can feel his stare. I don’t want him to get uncomfortable.
            ‘If we make a stop back at my house, we can get started,’ Yates says. ‘I know where we can go first.’

            ‘Excellent,’ says Elle. ‘The band's all together.’

Wednesday, 2 April 2014

Above the Vaulted Sky - Page 92

               When he’s getting to his highest level of freaked out, I fish Graham’s remote control from my pocket.
                I see Yates is already looking at me. I know he’s ready for this moment, I don’t need to ask. These will be words he’s said to mirrors and to the night-time when he wished he could say them to the face of his step father. He nods with his jaw set.
                The most unbelievable thing happens. Before my eyes, I see Yates change. Slowly, the lines around his eyes disappear, the wobbly bits under his chin become taut. The five o’clock shadow on his face recedes once more to a teenage fuzz. He is a teenager in middle aged clothing again.
                Without waiting a second longer, I flick the switch on the top of the remote. I know we’ll all appear in the room, but Mr Yates only has eyes for one of us.
                ‘You!’ he screams. ‘Why have you come back?’
                ‘You drove me to this!’ Yates yells.
                He takes a step forward. Mr Yates flinches.
                ‘Don’t hurt me!’ he shouts. The TV’s volume still fills the room. There’s a surprising amount of wind at this height, and it whips through the now open windows.
                ‘You hurt me,’ Yates says. ‘Every day of my life. You made me feel pathetic.’
                Mr Yates is actually crying. Snivelling in the corner.
                ‘What do you want from me?’ he asks. ‘You don’t think I feel guilt?’
                ‘And that excuses you?’
                I wonder is this a regular occurrence for Mr Yates. I see the puffed edges of his eyes. Hear a slurring in his speech. He’s drunk, dosed, or a combination of the two. Maybe he does feel guilty for what he drove his son to. Maybe it makes him see prostitutes every night and drink himself into a stupor. But he’s a villain none the less.
                ‘I’ll do anything,’ he says. ‘Anything for you to stop coming in my dreams. Just leave me alone now.’
                ‘I want you to leave here,’ Yates says. ‘Sell this place for a pittance and leave all your things behind. Get on a plane and never look back. I don’t care where you go. If you don’t do this, I’ll come back for you. I’ll chase you across the world until you listen to me. I’ll punish you like you punished me. Understand.’
                Mr Yates nod through the tears.
                ‘I’ll be watching,’ Yates says, and we disappear at the flick of my finger.

Tuesday, 1 April 2014

Above the Vaulted Sky - Page 91

               I watch Mr Yates for a second. This man deserves everything that’s coming to him and more. Yates says he doesn’t know what happened to his mother. She might even still be with her disgusting, cheating husband. He’s bloated and red in the face, like even being turned on is an enormous effort for him. I see a sick look on the woman’s face as she turns away from him. I realise I shouldn’t judge so quickly. I don’t know what turned her to this life. She’s as much a victim in this like Yates. That’s what people like his step father do, they take the weak and use them, leaving them with scars that can never be healed. Scars that don’t show up on the skin.
                ‘Okay,’ I say, relishing the secrecy of our mission. ‘Elle, now!’
                Elle reaches to her right and flicks on the enormous TV beside her. She presses another button and the volume rockets all the way up. Then she starts flicking between channels. The result is deafening, the various presenters and actors on screen merging together like they’re telling us a new, hidden message.
                Mr Yates and the woman jump and he falls backwards off his seat. She screams, shrill with the sort of pitch that would crack a window.
                With beautiful poetic timing, that’s exactly what happens. The huge floor to ceiling windows overlooking the river crack as one. There is a squeal almost too high for the human ear to register, and the windows shatter, becoming opaque with an infinity of white spider’s web cracks and then the panes fall to the ground like a curtain dropping from a stage.
                The woman is screaming, stamping her stilettoed feet on the ground until one of them breaks and she falls over. Mr Yates has crawled into a corner, pulling books from a shelf and a chair towards him. He must think his world is ending.
                I nod to Elle and Yates, grinning from ear to ear and we seize various bits of furniture.
                Elle knocks a series of picture frames with no pictures in to the ground, moving to a shelf of first edition books that have never been read. She seizes one particularly expensive looking volume and begins tearing pages with relish.
                Mr Yates sees this and actually lets out a dramatic shout of: ‘No!’
                I grab two uncomfortable looking leather chairs and begin to shake them, dragging them across the floor towards the old man.
                Now he starts to scream. And we’re only just getting started.

Monday, 31 March 2014

Above the Vaulted Sky - Page 90

               The light flashes from across the river and I know Graham’s ready. We had to take another trip back to his basement, cleaning up first so that his parents would be none the wiser. A large rug now sits over Teague’s ominous scorch mark.

                Soundless, as though he’s been next to us all along, Yates appears. He walks without a hunch for the first time since I’ve known him.

                ‘How are you feeling?’ I ask.

                ‘Alive for once,’ he replies, rubbing his hands together. ‘He’s home. He has a new girlfriend, she’s asking him for money right now.’

                ‘Well, Mr Yates just keeps getting better,’ Elle says. ‘You ready?’

                Yates nods. ‘Take my hands,’ he says.

                We do so. I was never one for pranks. At school I hated them, as I was the butt of jokes so often I had no option but to develop a hatred for practical jokery. This is somehow above practical jokes. A practical joke at school includes selecting an easy target and embarrassing them in front of all their peers. This is a gift that only death allows. This is ghostly retribution so deserved it feels divine.

                We disappear in an instant. And for a second I see inside Yates’s Edge. A world built of paper. The very air, if you can call it that, feels rough like the page of a book, and his memories are quotes flying past us as we make our short trip up the building.

                We step back into the world and my stomach turns. Never, in all my seventeen years of living, have I wanted to see a seventy year old man receiving a lap dance.

                ‘Holy Mary, Buddha and the many arms of Vishnu,’ exclaims Elle. ‘That’s my life ruined.’

                ‘I think you’ll find it’s his life that’ll be ruined,’ says Yates, with a Machiavellian glint in his eye.

                ‘We’ve created a monster,’ says Elle. ‘I told you we shouldn’t take the kids on revenge missions.’

                ‘We need to work on his one-liners,’ I whisper. ‘That one hurt.’

                ‘Shall I get started?’ Yates says.

                The woman, who I can only assume is some form of lady of the early hours begins gyrating in a very unnatural fashion.

                ‘Yes please.’ Elle gags on her words. ‘I think I’m going to be sick. Hasn’t this woman heard of bra fitting?’

                We scatter ourselves around the room. Across the river, I know that Graham is watching with binoculars, waiting for our signal for the fun to begin.

Above the Vaulted Sky - Page 89

Chapter Thirteen
                It’s the deepest part of the night when we finally have our plan formulated. The river Thames glistens below us, reflecting the man-made stars: the sprawling city that lines its banks.
                Elle crouches beside me tapping a beat on her knee. I spend a good long while trying to work out what it is.
                ‘Thank you for understanding him,’ I say. ‘So many people wouldn’t.’
                Elle shrugs. ‘Sometimes people say things without meaning to, I know he just wants to share his life with someone, that’s what we all want on some level. God knows I saw enough people with depression in cancer wards and therapists. So many of them just get the way they are because they’re ignored by the people who matter: friends, family, boyfriends, girlfriends, the works. You know there was one woman who’d been with her husband for fifty years. She gets cancer and her husband leaves her. How sucky’s that? I went to see her every day after college after I found out, just to sit with her. She used to love backgammon. She went before I did though.’
                She looks at her shoes. I haven’t seen Elle cry yet. Funny Elle, chirpy Elle, sarky Elle. It didn’t occur to me that this was part of her make up. Everyone cries.
                ‘I’ve tried to find her so many times,’ she says. ‘Same as you and Penny. How do you track someone down when you have infinity to search in? Knowing them doesn’t matter anymore. You just have to leave it to chance.’
                ‘What was her name?’ I ask. ‘Your friend.’
                ‘Persephone,’ she says, smiling. ‘I know, a name from another age isn’t it. I think it sounds romantic. I used to think that if I ever had a daughter, I’d name her Persephone. Don’t suppose there’s much chance of that now though.’
                ‘You never know,’ I say. ‘I wouldn’t put it past the universe to throw ghost-babies at us.’
                ‘Are you propositioning me, you cheeky devil?’ She looks sideways at me, her eyebrows bobbing. This time it only takes me a second to realise she’s joking.
                ‘Finally,’ she says. ‘I knew you could be moulded. You have no idea how many guys read into harmless flirting. Flirting’s fun. When you have a tumour creeping its way through your chest you have to take all the fun you can get. Course, now it’s just habit.’ She laughs. ‘You know there was this one guy in Rio last month…’
                ‘Wait,’ I say, holding up my hand. ‘There’s Graham’s signal.’

Box Set - Chapter Twelve

             ‘Where’s he gone?’ Elle asks.
I can’t see. All I can see is white, like when someone takes a flash photograph in a dark room.
‘My eyes!’ Graham whines.
‘He can’t have just disappeared,’Elle continues.
Slowly, my vision returns. This time there’s no scorch mark. Teague has indeed disappeared, leaving nothing behind him.
‘I thought he was going to explode,’ I say, relieved. ‘Maybe he’s travelled again? Like we can?’
‘That didn’t look like travelling to me,’ Elle replies.
‘Did you hear what he said about Robin Thacker?’ I look at the pair of them.
‘Death hasn’t changed you,’ Graham says. ‘Still on Thacker?’
‘I told you, if you gave it a chance after chapter one, you’d get into it.’
‘If I was supposed to read it, then he would have been good enough to grip my attention from line one,’ Graham says, like he’s considering Thacker for publication.
I raise a finger, opening my mouth to object but Elle shushes us both.
‘You said Thacker annotated the margins to his first edition,’ she says. ‘Teague said he saw a page of one of Thacker’s books on the internet and it sounded like that’s where he started, maybe we should follow him.’
‘Wait,’ Graham stopped her. ‘Where did you find a first edition Thacker?’
‘Oh I broke into the Thacker museum yesterday. I left the Alchemist manuscript with a heavily depressed man who lives in a hayfield. Sorry, I left that bit out.’
Graham’s eyes widened. ‘I have to say, death sounds a lot more interesting than life.’
‘If you ignore the fact that you can get lost in your memories at any given moment,’ I challenge.
‘Depends on the memory,’ retorts Graham. ‘But I’ll stick with my fleshy prison.’
‘So we go and find the manuscript again,’ says Elle. ‘You said that Yates took it back to the Thacker museum after you left right?’
‘I said he was going to,’ I say. I hold out my hands. ‘Graham, pack that stuff away, we’ll need all of it. We’re travelling again.’
Graham starts throwing indiscriminate items of equipment into a backpack, leaving the EMF meter and the ionizer until last. ‘Can’t we take a car or something?’ he moans
‘That’s like saying you want to ride with the luggage when you can fly first class,’ I say. Elle takes my right hand, I hold out my left to him.
Graham shuts off the ionizer and shoves it in the bag. We’ll now be invisible to him.
‘This is discrimination you know,’ Graham mutters, holding out his hand to thin air. I grab it and we disappear, the scent of hay clear in my nostrils.

We arrive in the hayfield to the sound of a bird squawking. I look to my left and a black raven sits on a haystack. It gazes at Graham who takes a step and holds his head.
‘That place gives me a headache,’ he says. ‘So what are we going to do about Teague?’
He looks around and notices he can’t see us again.
‘What are we going to do about him?’ I ask Elle. ‘I assumed that if we did what he asked he’d stabalise in one form or another, but he disappeared?’
‘Hopefully this Thacker book will give us a clue,’ she replies. ‘Here, tell Graham, as much as I enjoy watching his confused face.’
She hands me the notebook again. I quickly explain to Graham and hand him the note, telling him to go towards the house and wait for us or Yates to open the door.
We traverse the hayfield quickly. Part of me looks forward to seeing Yates again. Part of me hopes that he’s not even there. That he might be off adventuring somewhere, meeting people, building some sort of life for himself.
An unexplained tightness grips my stomach as we reach the door. I knock three times then stand back and wait. All we can hear is the raven, still squawking back in the field.
‘Maybe he’s out?’ Elle says. ‘And I thought we were going to a museum, not his house?’
I can’t explain myself why I felt drawn here, not the museum. I still feel bad for almost getting Yates lost in my memories. I guess I just want to make sure he’s alright before I go searching for books and disappearing men.
I rap sharply on the door again.
‘That’s very eerie you know,’ says Graham, watching the door that knocks itself.
‘Come on,’ I say. I realise I still haven’t answered Elle’s question. I grasp the handle and push. The door’s unlocked, of course it is. The man who sits in his house with the lights on, spurning company but attracting it all the same would naturally leave his door unlocked.
We walk inside. The books are still stacked to the ceiling, but I expect nothing less.
‘Wow,’ Elle and Graham say in unison.
‘Yates!’ I call.
There’s no reply. He must be out. I relax a little, walking further into the house. Something keeps me going. My conscience tells me to leave. It’s not my house, we should go. But still I walk forward. I think a part of me already knows.

            I hear Yates before I see him. A drone of mutterings reaches my ears from the next room. It not sure if the sound emerges from the kitchen or the living room. It feels like it's all around me, like the man's thoughts have become trapped in the walls of the house.
            I turn into the living room. The floor is covered in books, ripped from their spines, the pages laid out and scribbled on. Yates has made maps with some of them; yellow old pages sit side by side hanging on the wall. The rest is on the floor, some screwed into balls and cast aside, others kept for importance sit beside him in the epicentre of the explosion of pages.
'He's saying something,' he mutters. 'It's a message through time.'
'Yates,' I say, reaching out a hand to him. 'Yates, get up.'
His face is covered in ink marks. Some of them are fingerprints.
'Easton,' he says. 'You have to see, he wrote so much down in here.'
Elle is behind me. Graham starts to look around the edge of the room, reading the spines of the stacked books. For once I'm glad he can't see.
'You have to get up, Yates,' I say.
'But there's no time,' he pleads. 'There are secrets, I have to find out where he went. There's a path!' He gets excited, gesticulating wildly with his hands. 'See on the map there on the wall, there's a way to the great beyond.'
 'Beyond?' Elle whispers. 'I thought we were beyond. There's more?'
 'What are you talking about, Yates?' I ask, trying to keep my voice calm. There's something very unsettling about seeing someone you know in such a state.
 'This isn't all there is, there's a life after this. I think Thacker followed it.'
 'You think there's a life after the afterlife?' Elle says, skeptical.
 'Who's this?' Yates asks surveying her. His voice turns stern. A slice of the old Yates creeping back.
 'This is Elle,' I say. 'I ran into her.'
 'So you just collect women then,' Yates snaps. 'Leave some for the rest of us.'
 'We're not a cake, you know,' Elle remarks.
 'Yates, you're never going to meet anyone at all if you stay locked away like this?' I say, feeling like I'm repeating myself. The cold grip of guilt seizes my chest. This would have never happened if I'd stayed with him.
 'Some things are more important.' He raises his voice. 'I'm interested in the secrets of the universe,' he says. 'Not girls.'
‘Do you want us to leave, Yates?’ I ask.
He pauses. ‘I want to show you things,’ he says. ‘All I ask is that you’re interested. I thought you of all people would be, Easton.’
‘I am, Yates,’ I continue. ‘But this isn’t healthy. People are important.’
Yates puts his head in his hands. ‘You just don’t understand,’ he moans.
I sit down on one side of him. Elle sits on the other. We share a look.
‘Why don’t you show us what you’ve found, Yates?’ Elle suggests, resting her fingers on the sleeve of his jumper. He seems to jump like he’s just been touched by a live wire.
‘Thank you, Elle,’ he says, the air of a teacher returning to his voice. ‘I’m glad someone’s interested.’ He glares at me.
I sit back, my brows knitted together, wondering what I did wrong.
‘Thacker was obsessed with the idea of ghosts,’ Yates explains. ‘See here…’ he points at the open manuscript in front of him. ‘In the story, Rory appears to Cecily in the attic of the manor where she’s a servant girl. Thacker wrote next to the line Hildebrand Manor. I know for a fact that Thacker once lived at a place called Hildebrand when he was a young boy. He speaks of a ghost that appeared to him, a lady in white. I think The Alchemist is part auto-biographical.’ He looks to me, then Elle, his eyes alive with fervour. ‘Isn’t that amazing. Our very own Robin Thacker was visited by a ghost.’
I think for a second. ‘We were told by someone that Thacker might have known something about how to make ghosts visible,’ I explain. ‘We were visited by someone, a man who could jump between life and death…’
I was going to explain further, but Yates starts. ‘But…but…that’s it,’ he says. ‘That’s the key to the whole thing!’
He starts leafing through the pages of the manuscript like he’s been possessed. I’m worried he’ll rip the pages.
‘He wrote these words,’ Yates says, pointing at the bottom of one page. ‘And I couldn’t understand them. It was driving me mad, Easton!’
I follow his finger and read. ‘Only when we walk the tightrope across the limbo between life and the shadow of death will be find the great beyond. To travel between states is the key.’
It’s like Thacker’s speaking to us from beyond the grave. I wish I could find him. He must be living somewhere as a ghost just like us.
‘What’s he doing here?’ asks Yates, surveying Graham for the first time.

‘Just a young waif we picked up on our travels,’ jokes Elle.

‘He’s my best friend,’ I say. Elle places a hand to her chest looking pained.
‘But he’s alive?’
‘That’s what I wanted to tell you,’ I begin. ‘I think this all connects together. We were following this man. He somehow managed to cross to the afterlife and back again.’
‘But he de-stabalised himself and blew up,’ finishes Elle, nodding.
Yates looks from me to her as if he’s trying to ascertain who’s pulling the big joke.
‘But how does this tie in with your friend?’ he asks.
‘Graham owns a lot of science equipment and we figured out how to make ourselves visible.’
‘Do you think Thacker knew?’ he asks. He strokes the edge of the yellow pages. I wonder does is realises he’s doing it?
‘Maybe,’ I say. ‘But this doesn’t change the fact that you can’t lock yourself away like this. If you come with us we can work out what happened to Teague.’
‘The exploding man,’ Elle explains.
‘Are you guys still there?’ Graham asks, turning round. ‘I’m going to set up the equipment again, I want to try something.’
‘Where will you be going?’ asks Yates.
‘I’ll tell you when we work it out,’ I say. ‘I’m not even sure what we’re looking for.’
‘Teague seemed to just want our help,’ Elle says. ‘Like you said. He pleaded with us to do it, but I don’t think he’s gone. It wasn’t like we were killing him.’
‘But where else is there to go?’ Yates says. ‘Unless he’s gone to the great beyond?’
‘What is this great beyond exactly?’ Elle asks. ‘Does the book ever specify?’
‘Just a lot of mentions,’ Yates says. ‘It seems like his reason for writing the book was exploring the idea of the afterlife, and where we go next. It always seems like he knew people stay after they die, and can visit the living like your friend.’
‘Except Teague was just looking for his wife,’ I say. ‘He was living and he got obsessed with the dead. I suppose that’s what I am with Penny to some extent. I just have no place to start.’
Elle touches my arm. I’m grateful for the comfort.
There’s a whir from the other side of the room as Graham starts up the ionizer. He looks directly at us and I know we’re visible again.
‘There you are,’ he says. ‘Bring me up to speed.’
‘Thacker knew everything,’ Elle says. ‘That people become ghosts, that they can appear to the living, oh and there’s a great beyond we can move on to.’

‘Spiffing,’ Graham says. ‘So what next?’
‘Well I don’t know about Teague,’ Yates says. Being visible to the living world seems to have calmed him. We’ve given proof to his delusions. ‘But I do know where I’d like to go.’
‘We’re all ears,’ I say.
‘I’d like to visit my stepfather,’ he says after a deep breath. ‘All these years, I’ve been waiting for him to visit. Sitting here waiting for him. I wanted to show him some of what he showed me in life.’
Graham and Elle don’t ask what happened to Yates. I’m sure they can guess.
‘What do you have planned?’ I ask.
‘I’ve been thinking about it for years,’ he replies. ‘How I’d scare him, make him feel small. But I’m a coward. I don’t think I ever could.’
‘That’s where we come in,’ says Elle. ‘I’ve always wanted to do some haunting.’
Graham’s been fiddling at the back of the room. ‘There!’ he says.
He’s holding something in his hands. Cobbled together from spare bits of electrical equipment and what looks like a video game controller, he presents it like a prize.
‘I call it the de-ghostifier,’ he says, triumphantly. ‘Means you can be visible all the time.’
‘If you ever have a kid, let hubby do the naming,’ Elle remarks with a blank face.
Yates raises his head at her words, but doesn’t say anything. Graham just looks sheepish.
‘So where does your stepfather live?’ I ask to break the tension.
‘If he’s never moved, he’ll be in London still,’ he says. ‘He always had this place, and a penthouse in the city.’
‘Penthouse?’
‘Oh he’s very rich,’ Yates says. ‘He always has been. But it took something from him. It’s all he ever cared about.’
‘Then let’s go show him who’s boss,’ Elle says standing up. ‘We need a battleplan.’
‘What are you thinking?’

‘I’m thinking we scare the crap out of someone who deserves it,’ Elle replies, her eyes glinting.
‘Why are you helping?’ Yates asks. ‘You don’t even know who I am?’
‘ I know enough about you to know you could use a good friend,’ she replies.
‘What did he do?’ Graham asks.
‘He made me feel insignificant,’ Yates replies.
A lot of the times we look at people who’ve been abused. We tiptoe around them and think we can’t ask some things. But how can we ever help if we never ask?
‘But what do we do about Teague?’ I ask.
‘He’ll turn up,’ Elle says. ‘Things you’re looking for always turn up when you clean up a mess. Finding stuff 101.’
‘But what do we do about all this?’ Yates asks. ‘I can’t leave it, I just can’t. It’s important, I know it is.’
‘We’ll come back to it,’ I say. ‘We’ll work out what it all means.’
He looks down. A life’s work crammed into a day.
‘Okay,’ he says. ‘But we take the manuscript with us.’